Bibliography, etc. Note
Includes bibliographical references.
Formatted Contents Note
Through theatre to cinema The unexpected The cinematic principle and the ideogram A dialectic approach to film form The filmic fourth dimension Methods of montage A course in treatment Film language Film form : new problems The structure of the film Achievement Dickens, Griffith, and the film today Appendix A: A statement on the sound-film by Eisenstein, Pudovkin, and Alexandrov Appendix B: Notes from a director's laboratory.